For this album, conductor Andris Nelsons has chosen works by Antonín Dvořák, including Othello’s Concert Overture, and his famous Symphony No. 9 in E minor- From the New World. Also featured in this concert is soprano Kristine Opolais.
Gewandhausorchester Leipzig, Kristine Opolais, Andris Nelsons.
This title will be released on April 6, 2018.
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The film tells the story of Maria Callas’ return to the Royal Opera House in 1964 from today’s perspective and features an interview with Kristine Opolais.
Maria Callas, Antonio Pappano, Kristine Opolais, Thomas Hampson, Rolando Villazón, Rufus Wainwright, Anna Prohaska, Wolfgang Joop, Jurgen Kesting and Brian McMaster.
This title will be released on March 23, 2018.
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LIVE recording from the Easter Festival Baden-Baden
Kristine Opolais, Marcelo Álvarez, Marco Vratogna
Berliner Philharmoniker
Sir Simon Rattle, conductor
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Piotr Beczała, Ben Bliss, Stephanie Blythe, Joseph Calleja, Javier Camarena, Dwayne Croft, Diana Damrau, David Daniels, Joyce DiDonato, Plácido Domingo, Yusif Eyvazov, Michael Fabiano, Renée Fleming, Elīna Garanča, Susan Graham, Vittorio Grigolo, Gunther Groissböck, Dmitri Hvorostovsky, Christopher Job, Mariusz Kwiecień, Isabel Leonard, Željko Lučić, Angela Meade, Latonia Moore, James Morris, Anna Netrebko, Kristine Opolais, Eric Owens, René Pape, Matthew Polenzani, Sava Vemić, Michael Volle, Yunpeng Wang, Pretty Yende, Sonya Yoncheva and Dolora Zajick.
Marco Armiliato, James Levine, Yannick Nézet Séguin; conductors
Metropolitan Opera Orchestra and Chorus
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LIVE recording from the Bayerische Staatsoper
Kristine Opolais, René Pape, Joseph Calleja, Karine Babajanyan
Bayerische Staatsorchester
Omer Meir Wellber, conductor
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LIVE video recording from the Royal Opera House
Kristine Opolais, Jonas Kaufmann, Christopher Maltman, Maurizio Muraro, Benjamin Hulett
Orchestra of the Royal Opera House, Royal Opera House Chorus
Antonio Pappano, conductor
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Jonas Kaufmann, tenor
Kristine Opolais, soprano
Antonio Pappano, conductor
Orchestra dell’Accademia Nazionale di Santa Cecilia
*Nominated for 2016 GRAMMY Award: Best Classical Solo Album and listed as one of The New York Times’ Best Classical Albums in 2015
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LIVE recording from the Metropolitan Opera
Kristine Opolais, Jean-François Borras
The Metropolitan Opera Orchestra and Chorus
Ricardo Frizza, conductor
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LIVE recording from the Vienna Konzerthaus
Thomas Hampson, Kristine Opolais, Joseph Calleja, Carlo Colombara, Luca Pisaroni
Wiener Singakademie, Wiener Symphoniker
Massimo Zanetti, conductor
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Bo Skovhus, Kyle Ketelsen, Marlis Petersen, Kristine Opolais…
Dmitri Tcherniakov, director
Louis Langrée, conductor
Freiburg Baroque Orchestra
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Kristine Opolais, Artur Ruzinski, Lena Belkina, Dmitri Korchak, Günther Groissböck
Orchestra and Chorus of the Comunitat Valenciana
Omer Meir Wellber, conductor
Mariusz Trelinski, director
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May 8, 2018
Kristine Opolais will withdraw with a heavy heart from Lohengrin at the Royal Opera House, Covent Garden. She is incredibly sorry to disappoint her fans in London, but looks forward to returning to the house in 18/19 as Tosca. Following a routine abdominal medical procedure, Ms Opolais will take break from her schedule for the next weeks to ensure a full recovery. She sends tremendous gratitude for everyone’s support.
March 27, 2018
Sharing, with regret, that Andris Nelsons and Kristine Opolais have divorced following seven years of marriage. Both Mr. Nelsons and Ms. Opolais are united in putting their daughter at the center of their private lives. With complete respect and admiration for one another, Mr. Nelsons and Ms. Opolais look forward to continuing their artistic relationship together. The family asks for privacy at this time and no further comments will be given.
February 19, 2018
An upcoming DVD release for Kristine Opolais tells the story of one of the most magic moments of music: Maria Callas’ return to the opera stage in 1964. Her Tosca at the Royal Opera House became a sensation after her glorious career had been said to be over, with the singer herself passing over to legend.
The film tells the story of the event from today’s perspective and features interviews with Antonio Pappano, Kristine Opolais, Thomas Hampson, Rolando Villazón, Rufus Wainwright, Anna Prohaska, Wolfgang Joop, Jurgen Kesting and Brian McMaster. As a bonus the performance of Tosca’s second act is included. It is one of the most dramatic acts in opera history. The film recording is one of the few opportunities to see Maria Callas on stage and witness her emotional dramatics and vocal competence.
This film will be released on March 23 and is already available for pre-order via Amazon.
February 4, 2018
“[Kristine Opolais] sang with a coolly lustrous tone and at times a fierce dramatic intensity, bringing a quasi-operatic sense of character and drama to individual songs.”
Jeremy Eichler – Boston Globe
February 2, 2018
Seit meinem ersten Interview mit Kristine Opolais ist rund ein Jahrzehnt vergangen. Dazwischen liegt eine Weltkarriere. Dabei musste die lettische Sopranistin schon mal kurzfristig einspringen. Weltweite Schlagzeilen machte 2014 das kurzfristige Ausscheiden von Anna Netrebko bei einer Produktion von Giacomo Puccinis Manon Lescaut an der Bayerischen Staatsoper München – damals gerade als „Opernhaus des Jahres“ gefeiert. Kristine Opolais sagte mir im Januar 2018 im Interview in Riga, dass sie eigentlich bereits auf dem Weg zur Met gewesen sei, als die Anfrage aus München kam. In New York war sie für eine Wiederaufnahme von La Bohème engagiert gewesen, wurde jedoch vom Intendanten freigegeben. Sie hatte nur eine Woche, um sich auf die Rolle als Manon Lescaut unter der Leitung des Pariser Dirigenten Alain Altinoglu vorzubereiten. Sie rettete nicht nur die von Hans Neuenfels – der sich erstmals an Puccini versuchte – inszenierte Oper, sondern führte diese zusammen mit dem gefeierten Tenor Jonas Kaufmann zu einem Triumph.
December 28, 2017
L’Officiel
Pasaulslavenajai latviešu operdīvai Kristīnei Opolais glamūrs ir daļa no profesijas. Taču ārpus lomām Kristīnei ir pavisam cits tēls – to nosaka viņas brīvības un dabiskuma izjūta.
UZ skatuves Kristīne Opolais ir īsts hameleons, kam patīk tā dēvētie nestandarta cilvēki: «Iedvesmo aktrise Tilda Svintone – viņa ir kreizī! Arī Katrīna Denēva – ļoti sievišķīga, viņas stils vienmēr bijis atturīgs.» Savā garderobē māksliniece cenšas apvienot atturīgu klasiku ar ekscentrismu. Te vietā būtu piebilde, ka mūsu operdīva pati ir nestandarta personība, kas spēj organiski iejusties titullomās, sākot no Pučīni operām «Bohēma» un «Madame Butterfly» līdz Verdi operai «Traviata». Dīva, kas ar panākumiem uzstājas Ņujorkas, Londonas, Minhenes un citos pasaulslavenos operas namos, teic, ka labprāt iesaistās skatuves tērpu saskaņošanā, ko skicēs atsūta kostīmu mākslinieki.
