Latvijas Sabiedriskie Mediji Foto: Lita Krone / LETA “Ir jauki, ja ej pa vienu un to pašu ceļu, dziedi vienas un tās pašas lomas – viss mierīgi, bez liekas nervozitātes, bet… Pēdējā laikā man bieži kļūst garlaicīgi: varbūt tas saistīts ar manu raksturu, bet visu laiku gribas piedzīvot un nodziedāt ko jaunu. Gribas izmēģināt ko tādu, […]

“Murat Karahan ve Kristine Opolais, Puccini’nin ‘La Boheme’ operasından ‘Rodolfo-Mimi Düet’ ve ‘Manon Lescaut’ operasından’ Manon-Des Grieuş Düet’ bölümlerini beraber seslendirdi. İki sanatçı, konser sonunda ayakta alkışlandı.” Hürriyet “Kültür ve Turizm Bakanlığı tarafından düzenlenen Başkent Kültür Yolu Festivali kapsamında Letonyalı ünlü soprano Kristine Opolais ve Devlet Opera ve Balesi Genel Müdür ve Genel Sanat Yönetmeni […]

“Madame Butterfly (great Kristine Opolais) leaves us speechless. Her creation in the first act is tender as petals of flowers. She’s fragile and naive, filled with love and faith. You want to hug her because you know that the story will end tragically as she’s so undeniably sweet and innocent […] Kristine leads the character […]

“Abramović’s truthful and mesmerising declaration of love to Callas brought the audience to burst into a long roar of applause. Yet the evening wouldn’t have been as successful without the performance of the seven sopranos… All the more reason, then, to praise… Kristine Opolais’ defiantly proud “Un bel dì vedremo”.” Bachtrack “…e la precisione con […]

Non è facile intervistare il 42enne soprano lèttone. La giornalista di Amadeus ci è riuscita. La Opolais è oggi tra le cantanti più contese. Nel suo destino Puccini. Cio-Cio-San il ruolo più difficile: «Una storia commovente e orribile»

Bühne Die lettische Sopranistin Kristīne Opolais konnte schon oft als Tosca begeistern, zuletzt konzertant in Graz. Mit Martin Kušej definiert sie jetzt die grandiose Diva aus dem postnapoleonischen Rom im Theater an der Wien neu. „Ich habe es schon oft gemacht. Es ist nicht sehr angenehm. Am aufregendsten war es bisher in der Produktion in […]