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ABOUT

Kristine Opolais is one of the most sought-after sopranos on the international scene, with an established reputation amongst the world’s pre-eminent singing actresses. Opolais has appeared at The Metropolitan Opera, Wiener Staatsoper, Staatsoper Berlin, Bayerische Staatsoper, Teatro alla Scala, Opernhaus Zürich, and the Royal Opera House. She collaborates with renowned conductors including Daniel Barenboim, Sir Antonio Pappano, Sir Simon Rattle, Sir Mark Elder, Andris Nelsons, Fabio Luisi, and Kirill Petrenko.

Highlights of Ms. Opolais’ 22/23 season include a return to her signature role of Madama Butterfly at the Teatro Municipale Giuseppe Verdi Salerno and her greatly anticipated debut in the title role of Bizet’s Carmen, in a new production at Oper im Steinbruch St. Margarethen. In concert, she sings gala performances with the Istanbul State Opera and Ballet in Istanbul and Ankara, as well as a tribute concert at Latvian National Opera, given in memory of Andrejs Žagars. She also performs a concert of arias by Puccini, Cilea, Verdi and more in a New Year’s concert with the Gulbenkian Orchestra, led by Ukrainian conductor Oksana Lyniv.


Last season, Opolais starred in the title role of Manon Lescaut at Staatsoper Hamburg and returned to the Teatro Comunale di Bologna in the title role of Adriana Lecouvreur after her triumphant role and house debut the previous season. She starred in a new production of Tosca at Theater an der Wien, and returned to Semperoper Dresden in Madama Butterfly, led by Omer Meir Wellber. Ms. Opolais then made her highly anticipated debut as Cio-Cio-San in Marina Abramović's 7 Deaths of Maria Callas at the Teatro di San Carlo. She concluded the season reprising Madama Butterfly at Opera Wrocławska, and as Tosca in a new production for Greek National Opera.


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Next Performances

November 19, 21, 23, 2024

Madama Butterfly

Auditorio de Tenerife

Tenerife

Ramón Tebar, conductor

November 30, 2024

Concert

Teatro de la Ciudad Fernando Soler

Saltillo

Orquesta del Desierto Natanael Espinoza, conductor Kristine Opolais, soprano Stephen Costello, tenor

January 18, 2025

Recital

Shanghai Oriental Centre

Shanghai
Full Schedule

Videos

Προετοιμάζοντας την Τόσκα | Making of Tosca

Kristine Opolais – Teatro Colón, 30 October, 2021

ADRIANA LECOUVREUR || INTERVISTA ROSETTA CUCCHI

Dvořák: Rusalka – ‘Song to the Moon’, The Royal Opera

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The Latest

Press

“Ms. Opolais seemed to live with it, growing in stature as the evening went on and radiating the kind of aura – one that demands you watch her, and sympathize with her – that defines a star… She is a performer with a tremendous future ahead of her. New York will be lucky to have her.”

New York Observer

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News & Press

News & Press | November 19, 2024

Kristine Opolais: “Amo y odio a Madama Butterfly: este personaje es una obra maestra que siempre me rompe el corazón”

La soprano letona encarna a la protagonista de la ópera de Giacomo Puccini en el nuevo título de la temporada que presenta esta semana el Auditorio de Tenerife

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News & Press | November 15, 2024

Gala Concert in Mexico with Stephen Costello

On November 30, The Municipal Government of Saltillo, in collaboration with the State Government, presents the Opera Gala with Kristine Opolais and Stephen Costello, accompanied by the Orquesta del Desierto under the baton of Natanael Espinoza. This grand event will highlight the growth of Saltillo’s musical culture, as well as its commitment to promoting opera […]

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News & Press | November 1, 2024

Madama Butterfly at the Auditorio de Tenerife

On November 19, 21, and 23, Kristine Opolais returns to the title role of Puccini’s Madama Butterfly at the Auditorio de Tenerife. It’s a role which she has sung to great international acclaim at The Metropolitan Opera, where the New York Times commented that her “voluptuous, expressive voice soared over Puccini’s dense orchestration.” She’s also […]

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News & Press | May 20, 2024

Lady Macbeth of Mtsensk at Hamburg Staatsoper

“Unsere Lady Macbeth des Abends heißt Kristīne Opolais, an diese komplizierten Namen und ihre Unübersichtlichkeit muss sich der geschätzte Leser schon mal besser einstellen, man verliert sich wie bei Dostojewski geradezu in ihnen: Sie ist für mich wunderbar besetzt, in Höhen und Juchzen und Klagen wirklich mitreißend, und schön, und auch von sehr ansprechender Gestalt, […]

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